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Their eyes tell a thousand stories. Hands in pockets, posture proud and erect, hair slicked carefully back, their expressions are defiant, amused.

You can't beat them--in the end, they know they'll win. Almost a hundred years later you're certain these crooks knew things you wish you could learn.

Characters whose lives you'd give a lot to know more about beyond that single, captivating glimpse. At some point the jarring realization hits you that every single person in the book is probably dead now.

But that is one of the wonders of great art--it can resurrect anything and make it so alive again that for a while you can almost hear it breathe.

It arrived in 13 days posted to deliver days, so that was perfect. The pictures are amazing and tastefully done. It's interesting that they're mugshots - they seem to be proud portraits.

For modern crooks, look through the Appendix of 'It Takes a Pillage. Real crooks don't look anything like these pictures.

See all 4 reviews. What other items do customers buy after viewing this item? Sydney Police Photographs Hardcover. There's a problem loading this menu right now.

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Some of the inscriptions are particularly evocative: Hazel McGuiness, charged alongside her mother who the police referred to as "the vilest creature I have seen in my whole 20 years experience", got the slightly kinder observation of "she had scarcely had a chance in life, raised as she was in an atmosphere of dope and immorality".

Her mother's photograph on one page, the daughter on the following is a particularly poignant juxtaposition. There are also moments of some humour, possible after this long period of time - including some absolutely hilarious defences or attempts at explaining away the inexplicable.

There's also no way you could ever accuse people of political correctness in those days - so many of the nicknames are going to make current-day readers cringe just a little bit.

But what will stay with you is the images of those people - so many of them will have connections reaching forward into the current day, in these faces there is so much stark and real humanity that it's just breathtaking.

The insolence of some, the terror in the eyes of others. The fake bravado, the beautiful and the ugly, the sheer madness, the sly, embarrassed, defiant or distressed, the nonchalant and the frightened.

These images, and the stories of the people that go with them will stay with me for a long-time and I know I will be drawn back to the book over and over again.

It's a simply breathtaking record of a period of time, and a set of people that calls out across the years in a way that is absolutely and utterly mesmerising.

December 14, - Published on Amazon. Art is often best when it is unintended. A masterfully simple Biedermeier desk, the futuristic Parker 51 fountain pen, Bauhaus woven cloth, Japanese wabi sabi objects, Dieter Rams' appliances for BRAUN, or the Gill Sans type font, things like these were expressly conceived to be used every day and not live out their years in a museum.

But they were so exceptional or singular that over time they rode the elevator up to art's top floor and stayed there.

So too with photography. Whether it be Weegee or Vivian Mayer's black and white pictures of 's NY, Lartigue and Doisneau's day to day in Paris, LIFE magazine's coverage of the Great Depression, or even the best accidental Lomography work, what most people first thought were merely snapshots grew wings over the years and now live among the angels of art.

Doyle is an Australian who went through the forensic photography archive of the Justice and Police Museum in Sydney. His book is essentially a collection of 's mugshots.

Black and white look-the-camera-right-in-the-eye photos of criminals who were caught and booked. Pickpockets, whores, grifters, murderers, small time losers, dope fiends, counterfeiters The astonishing thing about the compilation is both the unintentional beauty and composition of many of these photos.

The men wear fedora hats tipped at jaunty angles, formal white shirts and ties, sharp looking tweed. Although some are seriously scary looking hombres, they've almost all got style and flair like you can't believe.

If you saw one of these guys walking down the street today you'd think "that is one cool dude. You can almost hear them sneering "You gotta problem, pal?

What are you gawking at? Picture after dramatic picture of liars, cheats, steal from blind nuns, stab their mother, sell their children-- creeps, bottom feeders, perverts and monsters are transformed by simple police mugshots into gorgeous, haunting, timeless portraits.

Their eyes tell a thousand stories.

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Page 1 of 1 Start over Page 1 of 1. Sydney Police Photographs See all free Kindle reading apps. I'd like to read this book on Kindle Don't have a Kindle?

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Most helpful customer reviews on Amazon. December 14, - Published on Amazon. Art is often best when it is unintended.

A masterfully simple Biedermeier desk, the futuristic Parker 51 fountain pen, Bauhaus woven cloth, Japanese wabi sabi objects, Dieter Rams' appliances for BRAUN, or the Gill Sans type font, things like these were expressly conceived to be used every day and not live out their years in a museum.

But they were so exceptional or singular that over time they rode the elevator up to art's top floor and stayed there. So too with photography.

Whether it be Weegee or Vivian Mayer's black and white pictures of 's NY, Lartigue and Doisneau's day to day in Paris, LIFE magazine's coverage of the Great Depression, or even the best accidental Lomography work, what most people first thought were merely snapshots grew wings over the years and now live among the angels of art.

Doyle is an Australian who went through the forensic photography archive of the Justice and Police Museum in Sydney.

His book is essentially a collection of 's mugshots. Black and white look-the-camera-right-in-the-eye photos of criminals who were caught and booked.

Pickpockets, whores, grifters, murderers, small time losers, dope fiends, counterfeiters To go along with the photographs Doyle has, where possible, matched up a little of each person's story - the charge, their ongoing record, or more poignantly - found nothing more about the person whose image becomes even more evocative.

The photographs themselves are simply startling. Stark, frequently surprising, relaxed or guarded, the images of these people are astounding.

Standing or seated, usually in a pair of photos, these images show people in facial close-up and then full-length. The clarity of these images is remarkable, and the detail they show, from the faces of the subjects, through to their clothes, accessories, their shoes and their expressions is really something to behold.

Many of the photographs are haunting - the past staring the present and future straight in the eye. There are a few odd names that came to mean more in criminal notoriety - Chow Hayes for example, but in the main these are mostly unknown criminals, involved in all sorts of criminal activities.

Conmen, conwomen, thieves, breakers, receivers, perjurers, escapees, pickpockets, drug dealers, drug users, murderers, razor men, tricksters - many of the details of their crimes were tracked down by Doyle - from the sad, and minor through to those starting out on a more dedicated life of crime.

Some of the inscriptions are particularly evocative: Hazel McGuiness, charged alongside her mother who the police referred to as "the vilest creature I have seen in my whole 20 years experience", got the slightly kinder observation of "she had scarcely had a chance in life, raised as she was in an atmosphere of dope and immorality".